Whilst some photographs are previsualised, others are purely reactive.

As she paused to speak, the other flowergirl whispered something – I wonder what she said?

The challenge for the documentary wedding photographer is in staying invisible and in being at the right place at the right time so that when a moment happens you have the opportunity to capture it. Then, it’s a question of composition and of timing the exact moment you press the shutter release. Often, you have to previsualise a photograph before it appears.

This is an example of just such an image. I’d initially seen it on the way upstairs to photograph the fitting of the brides dress and veil. Whilst these were all lovely pictures, the image I was really hoping for was this one.

For it to materialise, on the way back down I knew that the hallway would need to be clear from bridesmaids, flowergirls and parents and that the bride would need to stop at the mirror.

Moments later that’s exactly what happened – with the hallway quiet, Nicola stopped momentarily to check her veil and I took two, maybe three frames.

Seconds later she was in the car and on her way to the church!

Last week I had the pleasure of travelling over from Northern Ireland to London to photograph Tamsin and Paul’s wedding day.

Tamsin and Paul married at the beautiful 15th century church of Saint Mary the Virgin in Monken Hadley in North London before heading over to Gaynes Park in Epping for their wedding reception. Both venues were absolutely stunning and the early summer weather was just fantastic to work in.

The day was very relaxed and we had everything; double decker buses, silly sock contests and lots of tears and laughter.

Here are some more of my personal favourites from their day.

This weeks portfolio image comes from a wedding I covered in London last Saturday. The scene is set at the signing of the register at the back of the church with the two Mums as witnesses.

The signing of the register is an important part of the wedding day. Strangely, in Ireland, I’m often told by Ministers not to photograph this until it is all finished. I suppose most photographers like to interfere and show the subjects all looking straight into the camera. Yet part of the challenge of shooting documentary photography is to try and get pictures without interfering or having subjects ‘camera aware’.

In terms of the lighting here, I had strong directional window light coming in from behind the bride, groom and the two Mums. With a quick exposure compensation dialled in to the camera I moved into position along the back pew of the church. Then it was a case of just waiting for the right moment.

With the bride still signing the register the groom’s Mum touched her son’s hand and he smiled.

And that was my moment!

I find it’s just such a lovely genuine spark of time and the background/foreground interest really helps tell the story.

I’ll be posting more images from this wedding later this week.

“In order to “give a meaning” to the world, one has to feel oneself involved in what you frame through the viewfinder. This attitude requires concentration, a discipline of mind, sensitivity, and a sense of geometry. It is by great economy of means that one arrives at simplicity of expression. One must always take photos with the greatest respect for the subject and for oneself.” – Henri Cartier-Bresson

I love moments like this where background and foreground elements come together in the frame to create a picture.

The flowergirl at this wedding reception was momentarily lost in her thoughts and unknowingly mirroring the pose of the lady in the painting behind her. My heart just sang when I saw this.

The challenge for me was to get the photograph without being noticed and to capture it before she changed her pose and expression. I had maybe one or two seconds before the moment had gone.

It’s a great example of how, where photographic observation is concerned, chance favours the prepared mind.

Last Saturday saw me back in North Down for Pete and Danielle’s wedding at Saint Colmcilles in Holywood with reception at the Old Inn in Crawfordsburn.

This wedding was just fantastic with the warmth of Pete and Danielle’s friends and family really adding to the wonderful moments I had the pleasure of seeing on Saturday.

I first met Pete and Danielle back at Catherine and Jonathan’s wedding in 2008 and I just had a feeling they’d marry one day…

They are currently on honeymoon and I’ve just received a lovely message from them
“Hey Dylan thank you for photos – we all love them, you really have captured the day and emotions… We are on our way to NYC – see you when we come home, love to Caroline and Corrina xo”

Here are some of my personal favourites from their day.

New for this year – I will be writing about some of my favourite pictures from over the years. I’ll be looking at what draws me to the picture now and what prompted me to take the photograph originally.

I’ve often admired Cartier Bresson who once said that “the act of creativity lasts but a brief second, a lightning instant of give and take, just long enough for you to level the camera and to trap the fleeting prey in your little box“. So I hope that the reader will get a little insight to the creative processes as I take my pictures.

Most of what I do at a wedding goes largely unseen at the time. On a wedding day I take a series of portraits of people who usually have no idea I’m taking their picture. Occasionally though, when I raise the camera to my eye I get noticed. And often the results can make the photograph. More often than not it’s by children.

Kids at weddings have this innate sense of inquisitiveness. You can see that, as they try to figure out what everyone is doing and who all the people are. The photograph above is just that – the little girl has fixed her gaze just long enough towards me to make for a lovely portrait. I haven’t prompted her or said anything – she’s just showing her curiosity towards me for a brief split second.

The light here is actually what inspired me to take this picture in the first place. Her position in relation to it is fantastic. With the window being behind her, I knew that she was (momentarily) placed in this beautiful soft directional natural light. That’s the challenge for me – find my subjects in beautiful light and take their picture before they know anything about it.

This second photograph is from a wedding I covered for clients in Prague back in 2007.

Again, it’s the girl on the right who looked at the camera at the very moment I pressed the shutter that really makes the picture. She draws the viewer in.

This moment lasted but for a split second but it really happened and that, to me, is the power of photography.